A Chinese floral and bird wucai lidded vase from the Shunzhi period (1644–1661) showcases vibrant overglaze enamel designs. This transitional piece reflects late Ming artistic influences, featuring intricate floral patterns symbolizing prosperity and birds representing harmony. Such vases exemplify the fine craftsmanship and decorative innovation of Shunzhi porcelain, which blended Ming traditions with emerging Qing aesthetic elements.
Covered in a flambé glaze characteristic of Qing dynasty innovation, this vase features flowing shades of deep blue and purple with a cosmic, iridescent depth. The glaze was achieved through high-temperature reduction firing, creating unpredictable streaks and subtle crackles — a prized effect developed at the imperial kilns of Jingdezhen.
Sold at Rob Michiels in 2022 see link: https://www.rm-auctions.com/nl/aziatische-kunst-mei-2022/24190-een-chinese-hardstenen-gaiwan-dekselkom-18-19e-eeuw Originally used during the Ming Dynasty (1368-1644), the gaiwan, meaning "lidded bowl," emerged as a versatile vessel for brewing and drinking tea. Made from various materials such as porcelain, ceramic, and later, hard stone. The use of hard stone for crafting gaiwans became popular during the Qing Dynasty (1644-1912), particularly during…
While the association between "soldier vase" and their sentinel-like appearance seems apparent, the term actually originates from a unique diplomatic transaction, highlighting the European nobility's admiration for Chinese luxury goods during the China Trade Period. Augustus the Strong of Saxony, whose reign spanned from 1694 to 1733, harbored an obsession for Chinese porcelain. In negotiations with Frederick the Great of Prussia…
A stunning pair of Chinese blue and white porcelain dishes, each intricately decorated with a central basket of flowers motif surrounded by floral sprays. These dishes showcase the artistry of the Kangxi period (1662–1722), celebrated for its refined porcelain and elegant cobalt blue decoration. The finely painted details and balanced composition reflect the exceptional craftsmanship of early Qing Dynasty ceramics.…
The Song Dynasty (960–1279) was a golden age for Chinese ceramics, marked by its technical advancements and refined aesthetic. This period saw the rise of simple, elegant designs that highlighted natural beauty, often with muted glazes in shades like celadon, white, or light blue. Song potters valued subtlety and form over elaborate decoration, focusing on creating graceful, harmonious shapes. Bowls…
